During the opening keynote lecture of “Conradian Crosscurrents: Creativity and Critique,” organized by the Joseph Conrad Society of America, Italian philosopher Adriana Cavarero asserted that Heart of Darkness “vibrates and hangs on the reader’s doors of perception.” In the audience, scholars and students of Conrad were already finding that the conference, too, was providing them with pieces of knowledge that would hang on their minds long after its conclusion.
Held at Fordham’s Lincoln Center campus, at the Consulate General of the Republic of Poland in New York, and at the Kościuszko Foundation on June 1-3, 2017, the conference sought to reassess Conrad’s position at the cross-currents of contemporary creative and critical work of all kinds. Distinguished and emerging scholars presented papers on topics such as sound studies, race, science, history, politics, and biography. Along with Cavarero, James Clifford, J. Hillis Miller, and the novelist Margaret Cezair-Thompson gave keynote addresses. Co-sponsored by Fordham's Comparative Literature program and the English department, and with funding from the Dean of Arts & Sciences Faculty and the GSAS Dean, the conference was organized by Chris GoGwilt, Professor of English and Comparative Literature.
Three recent graduates of Fordham’s English MA program – Ryan Gilligan, John Miele, and Lindsey Pelucacci – also presented papers. Speaking on Heart of Darkness, Ryan argued for Marlow’s configuration as an incomplete Buddha who emerges as a fool at several points throughout his narration. Focusing on The Nigger of the ‘Narcissus,’ John Miele discussed the white liberal voice that commands the text, and Lindsey Pelucacci addressed the logical contradictions within the narrator’s sense of truth as a racialized construction.
For more on the conference, including photographs of events and accounts of keynote lectures, please visit the website.
Thanks to Lindsey Pelucacci for writing up this story